The EOS C700 Full Frame (FF) offers a 5.9K CMOS sensor with 15 stops of dynamic range.
With a physical resolution exceeding that of DCI 4K the EOS C700 FF Digital Cinema Camera is ready for 4K and HDR productions.
The full-frame sensor and triple DIGIC DV 5 image processors enables full-frame capture at 30p and 4K cropped capture at up to 72 fps to the CFast 2.0 card slots using the XF-AVC codec. Both relay and simultaneous recording is possible, and you can even record in ProRes on one CFast card, while simultaneously recording to XF-AVC on another CFast card.
The EOS C700 FF comes with an OLED Electronic Viewfinder (EVF-V70). Canon’s first professional grade viewfinder features Full HD 1920×1080 viewing, surround view, view assist and false colour.
Able to record Apple’s ProRes codec on CFast media the EOS C700 FF enables shooters who require a quick turnaround to go direct-to-edit on many without any transcoding necessary. In 4K, the 422 HQ is implemented and is supported up to 30 fps. In 2K mode, 10-bit 422, 10-bit 422 HQ, and 12-bit 4444 can be used. High frame rate recording is supported up to 168 fps using the 10-bit 422 flavor combined with the 2K centre crop. All formats are conveniently recorded directly to the CFast 2.0 cards.
Another recording format offered is the XF-AVC-coded that enables capturing at 4K full-frame at up to 60 fps. You can also capture 2K/FHD at up to 60 fps. Switching to a Super35 crop enables 4K capture at up to 72 fps, and if you select a Super16 crop you can capture at up to 168 fps to CFast 2.0 cards.
Along with the choice of two modes of internal recording to CFast 2.0 cards – Canon XF-AVC and Apple ProRes – the camera also offers an 8-bit 4:2:0 Proxy XF-AVC file that can be recorded at the same time to a SD card for immediate editing.
The Canon EOS C700 FF also supports an anamorphic mode allowing use of anamorphic lenses.
The Canon EOS C700 Full Frame is Netflix compliant.
|Sensor||Full Frame CMOS (38.1 x 20.1 mm) [Sensor Resolution - 5952 x 3140]|
|Dimensions||16.7cm x 15.4cm x 32.7cm (basic body)|
|Lens Mounts Available||PL|
|Internal Filters||Clear, 2, 4 & 6-stop|
|Exposure Index||EI 800 base sensitivity (when shooting in Canon Log 2/Canon Log 3)|
|Recording Media||CFast 2.0 (XF-AVC/ProRes), SD (Proxy XF-AVC)|
|Recording Formats||4096 x 2160 (XF-AVC/ProRes), 3840 x 2160 (XF-AVC/ProRes), 2048 x 1080 (XF-AVC/ProRes) & 1920 x 1080 (XF-AVC/ProRes)|
|Recording Codec||XF-AVC & ProRes|
|Recording Frame Rates||XF-AVC 4:2:2 10-Bit: 4096 x 2160, 3840 x 2160 (Max 60fps) & 2048 x 1080 (Max 168 fps), ProRes 4:2:2 10-Bit: 4096 x 2160, 3840 x 2160 (Max 30fps) & 2048 x 1080 (Max 168 fps), XF-AVC 4:4:4 12-Bit: 2048 x 1080 & 1920 x 1080 (Max 60fps), ProRes 4:4:4 12-Bit: 2048 x 1080 & 1920 x 1080 (Max 60fps)|
|Power Input||4-Pin XLR (12 VDC)/V-Mount Battery Plate|
|128Gb CFast 2.0 Card|
|Arri WCU-4 & UMC-4 Focus, Iris & Zoom|
|SmallHD 502 5" Onboard Monitor|
|LMB-15 3 Stage Clamp On Mattebox|
|O'Connor 25/75 Head & Legs|
|Ronford Atlas 40 Head & legs|