Directed by: Francis Anna
Producers: Mark Blaney, Jackie Sheppard, David Barron, Michelle Krumm & Gary Hamilton
Cinematography: Geoffrey Hall ACS
Shot on ARRI Alexa Mini with Cooke Panchro/i Classics – Equipment Jointly Provided Alongside Hyperfocal
Directed by: Stephen Carroll
Producer: Kat Latour
Cinematography: Shelley Farthing-Dawe
Production Company: Revolver
Shot on ARRI Alexa Mini LF with with Canon FD Lenses
Directed by: Jake Robb
Producer: Jackie Fish
Cinematography: Matt Wood ACS
Production Company: Fiction Films
Shot on ARRI Alexa Mini LF with Leitz-Cine M0.8 Lenses
Directed by: Ben Saunders
Producer: David Curry
Cinematography: Simon Walsh
Production Company: AIRBAG
Shot on ARRI Alexa Mini LF with Zeiss Supreme T1.5 Lenses
Directed by: Jesse Richards
Producer: Steph Watt
Cinematography: Marcus Cropp
Production Company: Cummins & Partners
Shot on ARRI Alexa Mini LF with Leitz-Cine M0.8 Lenses
Directed by: Max Greenstein
Producer: Alexandra Curtis
Cinematography: Marcus Cropp
Production Company: Betty Wants In
Shot on ARRI Alexa Mini LF with with CineScope TLS Leica R
Directed by: Julian Lucas
Producer: Jessica Galea
Cinematography: Max Walter
Production Company: Wildebeest
Shot on ARRI Alexa Mini LF with with TLS Canon FD Lenses
Executive Producers: Mikael Borglund, Rebecca Gibney & Roger Simpson
Cinematography: Geoffrey Hall ACS
Shot on Canon C700FF & RED Gemini with Cooke 7i & Zeiss Compact Zooms – Equipment Jointly Provided Alongside Hyperfocal
Executive Producers: Bob Campbell, Rory Callaghan, Greg Haddrick, Sally Riley & Kym Goldsworthy
Cinematography: Geoffrey Hall ACS
Shot on Canon C700GS with Sigma Cine Primes – Equipment Jointly Provided Alongside Hyperfocal