JALNA ‘PURE’
Directed by: Jake Robb Producer: Jackie Fish Cinematography: Matt Wood ACS Production Company: Fiction Films Shot on ARRI Alexa Mini LF with Leitz-Cine M0.8 Lenses
Girl at the Window (Trailer)
Directed by: Mark Hartley Producer by: Antony I. Ginnane P.G.A Cinematography: Garry Richards Shot on ARRI Alexa Mini with ARRI Zeiss UltraPrimes
AAMI Does – Fansurance
Director: Tony Rogers Producer: Victoria Shaw Cinematography: Aaron Farrugia Production Company: Guilty Shot on ARRI Alexa Mini LF & Phantom VEO 4k (RobotFace) with Cooke 5i Primes
Mitsubishi Outlander PHEV – Australia Ready
Director: Justin McMillian & Tom Gleisner Producer: Alan Robinson Cinematographer: Earle Dresner ACS Production Company: Clockwork Films & Working Dog Shot on ALEXA 35 with Leitz Summicron-C, Angenieux EZ-1 & EZ-2, Angenieux Optimo 24-290mm
Suzuki S-CROSS When Adventure Calls
Director: Alex Roberts Producer: AnnaTara Clark-Sneddon Cinematographer: Tim Tregoning Production Company: Finch Shot on ARRI Alexa Mini LF with Zeiss Supreme Primes & Angenieux EZ-1 45-135mm
Lifeblood of Australia
Director: Jared Daperis Producer: Tom Davies Cinematography: Max Walter Production Company: Sweetshop Shot on ARRI Alexa Mini LF with Zeiss B-Speeds & Angenieux 25-250mm HR
ESCAPE FROM PRETORIA (TRAILER)
Directed by: Francis Anna Producers: Mark Blaney, Jackie Sheppard, David Barron, Michelle Krumm & Gary Hamilton Cinematography: Geoffrey Hall ACS Shot on ARRI Alexa Mini with Cooke Panchro/i Classics – Equipment Jointly Provided Alongside Hyperfocal
STIHL “The First Day”
Director: Edwin McGill Producer: Jason Byren Cinematographer: Matt Jenkins Production Company: Guilty Shot on ARRI Alexa Mini with Cooke S4i Lenses
AUSSIE BROADBAND – BLOODY GOOD BROADBAND
Directed by: Max Greenstein Producer: Alexandra Curtis Cinematography: Marcus Cropp Production Company: Betty Wants In Shot on ARRI Alexa Mini LF with CineScope TLS Leica R