Bring on Wonderful with Virgin Australia
Director: Sanjay De Silva Producer: Sarah Nichols Cinematographer: Max Walter Production Company: Division Shot on ARRI Alexa Mini LF with Zeiss Supreme T1.5 Lenses & Zeiss Compact Zooms
Suzuki S-CROSS When Adventure Calls
Director: Alex Roberts Producer: AnnaTara Clark-Sneddon Cinematographer: Tim Tregoning Production Company: Finch Shot on ARRI Alexa Mini LF with Zeiss Supreme Primes & Angenieux EZ-1 45-135mm
Girl at the Window (Trailer)
Directed by: Mark Hartley Producer by: Antony I. Ginnane P.G.A Cinematography: Garry Richards Shot on ARRI Alexa Mini with ARRI Zeiss UltraPrimes
Lifeblood of Australia
Director: Jared Daperis Producer: Tom Davies Cinematography: Max Walter Production Company: Sweetshop Shot on ARRI Alexa Mini LF with Zeiss B-Speeds & Angenieux 25-250mm HR
Moja Vesna (Trailer)
Selected for Berlinale – Berlin International Film Festival 2022 & Melbourne International Film Festival 2022 Directed by: Sara Kern Producer by: Gal Greenspan, Rok Bicek & Sharlene George Cinematography: Lev Predan Kowarski Shot on RED Gemini with Zeiss B-Speeds & Angenieux 25-250mm HR Zoom
POWERSHOP
Directed by: Ben Saunders Producer: David Curry Cinematography: Simon Walsh Production Company: AIRBAG Shot on ARRI Alexa Mini LF with Zeiss Supreme T1.5 Lenses
Gordon Legal
Director: David Rittey Producer: Johanna Rayner Cinematographer: Marden Dean ACS Production Company: AIRBAG Shot on ARRI Alexa Mini LF with Kowa ‘Evolution’ Anamorphics by P&S Technik
JALNA ‘PURE’
Directed by: Jake Robb Producer: Jackie Fish Cinematography: Matt Wood ACS Production Company: Fiction Films Shot on ARRI Alexa Mini LF with Leitz-Cine M0.8 Lenses
Toyota | You never stop smiling in a Corolla
Director: Beatrice Pegard Producer: Clare McGrath Cinematography: Shelley Farthing-Dawe ACS Production Company: Collider Shot on ARRI Alexa Mini LF with True Lens Services Canon FD Lenses & Cooke 65mm Macro Panchro/i