GUY PEARCE – “STORM” MUSIC VIDEO

Directed by: Michael Shanks

Producer: Nicholas Colla

Cinematography: Edward Goldner

Production Company: LateNite Films

Shot on RED Epic & Phantom Miro LC320S with Cooke 5i T1.4 Lenses

VANCE JOY – “GEORGIA” MUSIC VIDEO

Director: Luci Schroder

Producer: Emma Haarburger

Cinematographer: Michael Latham

Shot on ARRI Amira with Cooke S4i Lenses

VIOLENT SOHO – “BLANKET” MUSIC VIDEO

Director: Matt Weston

Producer: Poppy Jones

Cinematographer: Liam Gilmour

Production Company: The Feds

Shot on ARRI Alexa XT with Cooke Anamorphic lenses

LENS COMPARISON TEST

Towards the end of 2015 a Masterclass was held at The Vision House for third year Swinburne University students and a series of lens tests were conducted.

Lenses tested were: Cooke S4i
Cooke Mini S4i
Zeiss Master Primes
Zeiss Ultra Primes
Zeiss Compact Primes
Zeiss Super Speeds
Zeiss Standard Speeds
Cooke Speed Pancro
Bausch and Lomb
Cooke Anamorphic
Kowa Anamorphic
Lomo Anamorphic

MESSIAH (TRAILER) – LEXUS SHORT FILMS 2016

Director: Damian Walshe-Howling

Cinematographer: Denson Baker ACS NZCS

Production Company: Guilty / The Weinstein Company

Shot on ARRI Alexa Mini with Cooke Anamorphic lenses

MAKE BIGGER THINGS HAPPEN WITH OFFICEWORKS

Director: Pete Baker

Cinematographer: Shelley Farthing-Dawe

Production Company: Revolver / Will O’Rourke

Shot on ARRI Alexa Mini with Kowa Anamorphic lenses

ŠKODA – BRILLIANT NOT FAMOUS

Director: Greg Wood

Cinematographer: Ross Giardina ACS

Production Company: Exit Films

Shot on ARRI Alexa Mini with Kowa ‘Classic’ Anamorphic lenses

SCHMACKOS: DUET

Director: Christopher Hill

Cinematographer: Edward Goldner

Production Company: The OTTO Empire

Shot on ARRI Alexa Mini with Cooke 5i lenses

‘WEST OF SUNSHINE’ (TRAILER)

Selected for Venice Film Festival 2017

Directed by:Jason Raftopoulos

Producer: Jason Raftopoulos & Alexandros Ouzas

Cinematography: Thom Neal

Shot on ARRI Alexa SXT with Zeiss Super Speeds

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