Bring on Wonderful with Virgin Australia
Director: Sanjay De Silva Producer: Sarah Nichols Cinematographer: Max Walter Production Company: Division Shot on ARRI Alexa Mini LF with Zeiss Supreme T1.5 Lenses & Zeiss Compact Zooms
STIHL “The First Day”
Director: Edwin McGill Producer: Jason Byren Cinematographer: Matt Jenkins Production Company: Guilty Shot on ARRI Alexa Mini with Cooke S4i Lenses
HALIFAX: RETRIBUTION (TRAILER)
Executive Producers: Mikael Borglund, Rebecca Gibney & Roger Simpson Cinematography: Geoffrey Hall ACS Shot on Canon C700FF & RED Gemini with Cooke 7i & Zeiss Compact Zooms – Equipment Jointly Provided Alongside Hyperfocal
PINE GAP (TRAILER)
Executive Producers: Bob Campbell, Rory Callaghan, Greg Haddrick, Sally Riley & Kym Goldsworthy Cinematography: Geoffrey Hall ACS Shot on Canon C700GS with Sigma Cine Primes – Equipment Jointly Provided Alongside Hyperfocal
WHY ARE YOU LIKE THIS? (TRAILER)
Directed by: Adam Murfet & Jessie Oldfield Executive Producers: Nick Hayden, Amanda Higgs, Adam Murfet & Jessie Oldfield Cinematography: Shelley Farthing-Dawe Shot on ARRI Alexa Mini LF with CineScope TLS Leica R
REBOOTED (TRAILER)
Directed by: Michael Shanks Executive Producer: Michael Shanks Cinematography: Max Walter (Live Action) & Gerald Thompson (Animation) Shot on ARRI Mini with Cooke S4i (Live Action)
THE WIZARDS OF AUS (TRAILER)
Directed by: Michael Shanks Series Producer: Chris Hocking Cinematography: Benjamin Hidalgo De La Barrera Shot on RED EPIC with Zeiss Compact Primes
THE FURIES (TRAILER)
Directed by: Tony D’Aquino Executive Producer: Phil Hunt, Andrew Marriott & Compton Ross Cinematography: Garry Richards Shot on ARRI Alexa Mini with Zeiss Ultra Primes T1.9
CRICKET AUSTRALIA ‘THE ASHES’
Directed by: Corrie Jones Producer: Rohan Timlock Cinematography: Peter Eastgate Production Company: Guilty Shot on ARRI Alexa Classic with Cooke S4i T2 Lenses & Angenieux Optimo 24-290mm T2.8