REBOOTED (TRAILER)
Directed by: Michael Shanks Executive Producer: Michael Shanks Cinematography: Max Walter (Live Action) & Gerald Thompson (Animation) Shot on ARRI Mini with Cooke S4i (Live Action)
THE WIZARDS OF AUS (TRAILER)
Directed by: Michael Shanks Series Producer: Chris Hocking Cinematography: Benjamin Hidalgo De La Barrera Shot on RED EPIC with Zeiss Compact Primes
THE FURIES (TRAILER)
Directed by: Tony D’Aquino Executive Producer: Phil Hunt, Andrew Marriott & Compton Ross Cinematography: Garry Richards Shot on ARRI Alexa Mini with Zeiss Ultra Primes T1.9
CRICKET AUSTRALIA ‘THE ASHES’
Directed by: Corrie Jones Producer: Rohan Timlock Cinematography: Peter Eastgate Production Company: Guilty Shot on ARRI Alexa Classic with Cooke S4i T2 Lenses & Angenieux Optimo 24-290mm T2.8
AAMI ‘RHONDA’S REUNION’
Directed by: Tony Rogers Producer: Jason Byrne Cinematography: Jeremy Rouse ACS Production Company:Guilty Shot on RED Epic with Zeiss Super Speeds T1.3 & Bausch & Lomb Super Baltars
BBK VIVO – ROAD MOVIE TVC
Directed by: Carole Denis Producer: Simon Hoy Cinematography: Sebastian Pflaffenbichler Production Company: Hub Productions Shot on ARRI Alexa M with Zeiss Standards T2.1, Zeiss Super Speeds T1.3, Angneieux Optimo 15-40mm T2.6, Angenieux 25-250mm HR T3.5, Ronford F7 Head & Power Pod Remote Pan and Tilt System
YILI – SATINE MILK
Directed by: Roland Dan Producer: Simon Hoy Cinematography: Alan Yap Production Company: Hub Productions Shot on ARRI Alexa Classic & Phantom Miro LC320S with Cooke S4i T1.4 Lenses, Zeiss Compact Primes & Angenieux 24-290mm Optimo T2.8
MEGAN WASHINGTON – “LIMITLESS” MUSIC VIDEO
Directed by: Tooth & Claw Producer: Tooth & Claw Cinematography: Joel Betts & Sherwin Akbarzadeh Production Company: Tooth & Claw Shot on ARRI Alexa XT with Kowa ‘Classic’ Anamorphics
GUY PEARCE – “STORM” MUSIC VIDEO
Directed by: Michael Shanks Producer: Nicholas Colla Cinematography: Edward Goldner Production Company: LateNite Films Shot on RED Epic & Phantom Miro LC320S with Cooke 5i T1.4 Lenses

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