WHY ARE YOU LIKE THIS? (TRAILER)

Directed by: Adam Murfet & Jessie Oldfield

Executive Producers: Nick Hayden, Amanda Higgs, Adam Murfet & Jessie Oldfield

Cinematography: Shelley Farthing-Dawe

Shot on ARRI Alexa Mini LF with CineScope TLS Leica R

REBOOTED (TRAILER)

Directed by: Michael Shanks

Executive Producer: Michael Shanks

Cinematography: Max Walter (Live Action) & Gerald Thompson (Animation)

Shot on ARRI Mini with Cooke S4i (Live Action)

THE WIZARDS OF AUS (TRAILER)

Directed by: Michael Shanks

Series Producer: Chris Hocking

Cinematography: Benjamin Hidalgo De La Barrera

Shot on RED EPIC with Zeiss Compact Primes

THE FURIES (TRAILER)

Directed by: Tony D’Aquino

Executive Producer: Phil Hunt, Andrew Marriott & Compton Ross

Cinematography: Garry Richards

Shot on ARRI Alexa Mini with Zeiss Ultra Primes T1.9

CRICKET AUSTRALIA ‘THE ASHES’

Directed by: Corrie Jones

Producer: Rohan Timlock

Cinematography: Peter Eastgate

Production Company: Guilty

Shot on ARRI Alexa Classic with Cooke S4i T2 Lenses & Angenieux Optimo 24-290mm T2.8

AAMI ‘RHONDA’S REUNION’

Directed by: Tony Rogers

Producer: Jason Byrne

Cinematography: Jeremy Rouse ACS

Production Company:Guilty

Shot on RED Epic with Zeiss Super Speeds T1.3 & Bausch & Lomb Super Baltars

BBK VIVO – ROAD MOVIE TVC

Directed by: Carole Denis

Producer: Simon Hoy

Cinematography: Sebastian Pflaffenbichler

Production Company: Hub Productions

Shot on ARRI Alexa M with Zeiss Standards T2.1, Zeiss Super Speeds T1.3, Angneieux Optimo 15-40mm T2.6, Angenieux 25-250mm HR T3.5, Ronford F7 Head & Power Pod Remote Pan and Tilt System

YILI – SATINE MILK

Directed by: Roland Dan

Producer: Simon Hoy

Cinematography: Alan Yap

Production Company: Hub Productions

Shot on ARRI Alexa Classic & Phantom Miro LC320S with Cooke S4i T1.4 Lenses, Zeiss Compact Primes & Angenieux 24-290mm Optimo T2.8

MEGAN WASHINGTON – “LIMITLESS” MUSIC VIDEO

Directed by: Tooth & Claw

Producer: Tooth & Claw

Cinematography: Joel Betts & Sherwin Akbarzadeh

Production Company: Tooth & Claw

Shot on ARRI Alexa XT with Kowa ‘Classic’ Anamorphics

Page 2 of 5