AAMI ‘RHONDA’S REUNION’
Directed by: Tony Rogers Producer: Jason Byrne Cinematography: Jeremy Rouse ACS Production Company:Guilty Shot on RED Epic with Zeiss Super Speeds T1.3 & Bausch & Lomb Super Baltars
BBK VIVO – ROAD MOVIE TVC
Directed by: Carole Denis Producer: Simon Hoy Cinematography: Sebastian Pflaffenbichler Production Company: Hub Productions Shot on ARRI Alexa M with Zeiss Standards T2.1, Zeiss Super Speeds T1.3, Angneieux Optimo 15-40mm T2.6, Angenieux 25-250mm HR T3.5, Ronford F7 Head & Power Pod Remote Pan and Tilt System
YILI – SATINE MILK
Directed by: Roland Dan Producer: Simon Hoy Cinematography: Alan Yap Production Company: Hub Productions Shot on ARRI Alexa Classic & Phantom Miro LC320S with Cooke S4i T1.4 Lenses, Zeiss Compact Primes & Angenieux 24-290mm Optimo T2.8
MEGAN WASHINGTON – “LIMITLESS” MUSIC VIDEO
Directed by: Tooth & Claw Producer: Tooth & Claw Cinematography: Joel Betts & Sherwin Akbarzadeh Production Company: Tooth & Claw Shot on ARRI Alexa XT with Kowa ‘Classic’ Anamorphics
GUY PEARCE – “STORM” MUSIC VIDEO
Directed by: Michael Shanks Producer: Nicholas Colla Cinematography: Edward Goldner Production Company: LateNite Films Shot on RED Epic & Phantom Miro LC320S with Cooke 5i T1.4 Lenses
VANCE JOY – “GEORGIA” MUSIC VIDEO
Director: Luci Schroder Producer: Emma Haarburger Cinematographer: Michael Latham Shot on ARRI Amira with Cooke S4i Lenses
VIOLENT SOHO – “BLANKET” MUSIC VIDEO
Director: Matt Weston Producer: Poppy Jones Cinematographer: Liam Gilmour Production Company: The Feds Shot on ARRI Alexa XT with Cooke Anamorphic lenses
LENS COMPARISON TEST
Towards the end of 2015 a Masterclass was held at The Vision House for third year Swinburne University students and a series of lens tests were conducted. Lenses tested were: Cooke S4i Cooke Mini S4i Zeiss Master Primes Zeiss Ultra Primes Zeiss Compact Primes Zeiss Super Speeds Zeiss Standard Speeds Cooke Speed Pancro Bausch and Lomb Cooke Anamorphic Kowa Anamorphic Lomo Anamorphic
MESSIAH (TRAILER) – LEXUS SHORT FILMS 2016
Director: Damian Walshe-Howling Cinematographer: Denson Baker ACS NZCS Production Company: Guilty / The Weinstein Company Shot on ARRI Alexa Mini with Cooke Anamorphic lenses