WHAT MAKES YOU THINK – GUY PEARCE
Cinematographer: Max Walter Producers: Chris Hocking, Michael Shanks & Nicholas Colla (LateNite Films) Shot On Alexa Mini with Cooke Panchro/i Classics using Arri Maxima MX30 Gimbal System   *Australian Cinematographers Society Award of Distinction – Max Walter – 2019*
HISENSE
Director: Max Miller Cinematographer: Cesar Salmeron Production Company: Mustard Creative Shot On ARRI Alexa Mini with Cooke S4i Lenses
GORDON LEGAL “IT’S PERSONAL”
Director: Jake Robb Cinematographer: Matt Wood ACS Production Company: Fiction Film Company Shot On RED Vista Vision with Leitz-Cine M0.8 Lens Set
KING ISLAND DAIRY
Director: Will Horne Cinematographer: Max Walter Production Company: Airbag Shot On ARRI Alexa Mini with Kowa ‘Classic’ Anamorphics Re-Housed by P&S Technik
MAZDA ‘ONE, TWO, THREE’
Director: Patrick Salter Cinematographer: Liam Gilmour Production Company: Pancho Shot On ARRI Alexa Mini with Kowa ‘Classic’ Anamorphics Re-Housed by P&S Technik, Kowa ‘Evolution’ Anamorphics by P&S Technik & Zeiss 15-30mm Compact Zoom
NULON
Director: Davros Cinematographer: Cesar Salmeron Production Company: Taxi Shot On RED Gemini S35 5k with Angenieux EZ & Laowa 24mm Probe Lens
HAVAL – NEW CAR THINKING
Director: Nicholas Clifford Cinematographer: Liam Gilmour Production Company: Truce Films Shot On ARRI Alexa Mini with Cooke S4i Primes & Zeiss LWZ2 15.5-45mm Zoom
JEEP – “WHAT A MACHINE”
Cinematographer: Aaron Farrugia Production Company: +Ape (Positive Ape) Shot On RED Epic with Cooke S4i Primes & Zeiss LWZ3 21-100mm Zoom on ARRI MAXIMA & Black Arm
KEEP YOUR HoMIES CLOSE
Director: Guy Franklin Cinematographer: Edward Goldner Production Company: Pixel Shot On RED 8k Vista Vision with Zeiss Supreme T1.5 Primes on ARRI MAXIMA

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