
MAKE BIGGER THINGS HAPPEN WITH OFFICEWORKS
Director: Pete Baker Cinematographer: Shelley Farthing-Dawe Production Company: Revolver / Will O’Rourke Shot on ARRI Alexa Mini with Kowa Anamorphic lenses

SCHMACKOS: DUET
Director: Christopher Hill Cinematographer: Edward Goldner Production Company: The OTTO Empire Shot on ARRI Alexa Mini with Cooke 5i lenses

‘WEST OF SUNSHINE’ (TRAILER)
Selected for Venice Film Festival 2017 Directed by:Jason Raftopoulos Producer: Jason Raftopoulos & Alexandros Ouzas Cinematography: Thom Neal Shot on ARRI Alexa SXT with Zeiss Super Speeds

‘THAT’S NOT ME’ (TRAILER)
World Premiere at the Santa Barbara Film Festival 2017 Directed by: Gregory Erdstein Producer: Anna Kojevnikov, Sally Storey, Alice Foulcher & Gregory Erdstein Cinematography: Shelley Farthing-Dawe Shot on ARRI Alexa Mini with Zeiss Ultra Primes T1.9
MINI 60 YEARS
Director: Max Greenstein Cinematographer: Shelley Farthing-Dawe Production Company: Betty Wants In Shot On ARRI Alexa Mini with Kowa ‘Classic’ Anamorphics Re-Housed by P&S Technik & Leitz-Cine Summicron-C

WHAT MAKES YOU THINK – GUY PEARCE
Cinematographer: Max Walter Producers: Chris Hocking, Michael Shanks & Nicholas Colla (LateNite Films) Shot On Alexa Mini with Cooke Panchro/i Classics using Arri Maxima MX30 Gimbal System *Australian Cinematographers Society Award of Distinction – Max Walter – 2019*
HISENSE
Director: Max Miller Cinematographer: Cesar Salmeron Production Company: Mustard Creative Shot On ARRI Alexa Mini with Cooke S4i Lenses
GORDON LEGAL “IT’S PERSONAL”
Director: Jake Robb Cinematographer: Matt Wood ACS Production Company: Fiction Film Company Shot On RED Vista Vision with Leitz-Cine M0.8 Lens Set
KING ISLAND DAIRY
Director: Will Horne Cinematographer: Max Walter Production Company: Airbag Shot On ARRI Alexa Mini with Kowa ‘Classic’ Anamorphics Re-Housed by P&S Technik